Flashpoint

A first-person perspective turns the subject into an immediate physical experience—heat, motion, pressure, and light. Rather than presenting the object as a symbol from a distance, Flashpoint places the viewer inside the moment itself, where force and instability are felt before they are interpreted. The painting contrasts controlled structure with violent energy, using layered color and movement to heighten the tension between discipline and chaos. It reflects my ongoing interest in strength, restraint, and the charged space where order is tested.